ÌÇÐÄVlog¹Ù·½

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Hawaiian theatre students weave songs and music together

Ten students in the University of Hawaiʻi at ²Ñ¨¡²Ô´Ç²¹ are tapping deeply into their naʻau (gut) to acquire the art of composing mele (songs) rooted in Indigenous traditions. Throughout November, the award-winning program in the is hosting guest artists from Aotearoa (New Zealand) who are mentoring haum¨¡na (students) at ÌÇÐÄVlog¹Ù·½ ²Ñ¨¡²Ô´Ç²¹ to write original songs in Hawaiʻi¡¯s native tongue across contemporary genres such as R&B, soul, pop and reggae.

Kawana
M¨¡ori recording artist Tawaroa Kawana (TAWAZ)
Hanita-Paki
M¨¡ori recording artist M¨¡ori recording artist Hena Hanita-Paki

M¨¡ori musicians Tawaroa Kawana and Hera Hanita-Paki are known for captivating audiences with their original recordings penned in te reo M¨¡ori (M¨¡ori language). The Indigenous artists are also immersed in Waiata M¨¡ori, a traditional music genre from Aotearoa that is reflective of M¨¡ori traditions and beliefs.

“This collaboration is about building capacity in our l¨¡hui (nation) to create and tell our stories in our language through the medium of mele,” said Tammy Hailiʻōpua Baker, professor and founder of the ÌÇÐÄVlog¹Ù·½ ²Ñ¨¡²Ô´Ç²¹ Hawaiian Theatre Program. [We want our haum¨¡na to] expand their horizons, support their dream and artistic goals ma ka ʻōlelo Hawaiʻi (in the Hawaiian language).”

This artist residency is apart of or ANNO, a research institute for Indigenous performance which is part of a strategic investment initiative awarded by the ÌÇÐÄVlog¹Ù·½ ²Ñ¨¡²Ô´Ç²¹ and is comprised of three paths; scholarship and publication, curriculum and archive, and engagement and recruitment. The initiative is geared toward hosting guest artists from Hawaiʻi and Oceania to mentor ÌÇÐÄVlog¹Ù·½ ²Ñ¨¡²Ô´Ç²¹ students and generate creative research together.

Participating Haum¨¡na

  • Kaipulaumakaniolono Baker, PhD English
  • Kaʻiukapu Baker, MFA Hawaiian Theatre
  • Kamalei Krug, PhD Education
  • Kaʻula Krug, MET, College of Education
  • Leleapaoʻo Krug, Hawaiian Language
  • Ikaika Mendez, MFA Hawaiian Theatre
  • Wahine Nahale-a, Dietetics and Hawaiian Studies
  • ʻIkaʻaka Nāhuewai, PhD Hawaiian and Indigenous Theatre
  • Joshua Kamoaniʻala Tavares, MFA Acting and Hawaiian Theatre
  • John Taukave, MA Pacific Island Studies

Hawaiian expression

3 people sitting near piano
Joshua Kamoaniʻala Tavares, Ikaika Mendez and Tawaroa Kawana

Each of the ÌÇÐÄVlog¹Ù·½ ²Ñ¨¡²Ô´Ç²¹ students have a foundation in ʻōlelo Hawaiʻi, having attended either primary or secondary schooling at a Hawaiian language immersion school here in Hawaiʻi.

Tavares, an acting and Hawaiian theatre MFA candidate, is an aspiring recording artist and worked closely with Kawana on creating a melody for his mele, ʻO wai lā ʻoe.

“I had that one phrase in my notes and we listened to the melody of a song I currently like by Jhene Aiko and we played with chord progression and melody and came up with something really cool,” Tavares explained. “I felt really blocked but kept trying to open myself up to the experience and I¡¯m glad I did because we came up with a haunting and melancholic sound.”

Kaʻiukapu Baker is a second year MFA Hawaiian theatre candidate who feels fascinated by the entire mele creation process and what she was able to accomplish.

“Going into this process I was completely terrified to write a mele because I had no experience in it,” Baker said. “However, the week of this workshop I had two hooks come to me so I proposed them to Tawaroa and he took them and built two main hooks out of them.”

3 people sitting around a table
Ikaika Mendez, John Taukave and M¨¡ori recording artist Hena Hanita-Paki collaborate in Punaluʻu

Maui native Mendez is also working on his MFA in Hawaiian theatre. He has appreciated the journey in composing a mele about his home island and the interweaving of Indigenous traditions and perspectives.

“It was interesting to see the difference and similarities in how we approach our composition and arrangements of song. The M¨¡ori have such a strong foundation in their language; therefore, allowing them to be free for expression,” Mendez said. “For me, I am still grasping the knowledge of our native tongue to express what I am thinking and experiencing. This definitely allowed me space to be creative and just write!”

Mele debut

The Hawaiian theatre students will perform their compositions at Ka Pō Leʻa o Halāliʻi on Wednesday, November 8, 6–8:30 p.m. at ²Ñ¨¡²Ô´Ç²¹ Gardens. Kawana and Hanita-Paki will also share a special performance alongside Hawaiʻi musicians ʻIkaʻakamai and Kaʻikena Scanlan. The event is free and open to the public.

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